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Benjamin Williams Leader (Worcester 1831 - Shere, Surrey 1923)

  • Benjamin Williams Leader - Near Goring on Thames
    Benjamin Williams Leader Near Goring on Thames Full details

    SP 4929

     

    BENJAMIN WILLIAMS LEADER, RA

    Worcester 1831 - 1923 Shere, Surrey

     

    Near Goring on Thames

     

    Signed and dated 1874; signed and inscribed with the title on the reverse

    Board: 16 x 24 in / 40.6 x 61 cm

     

    Provenance:

    Richard Green, London, 1971

    City Gallery, London, 1971

    Private collection, UK

     

     

    This beautiful landscape depicts a quiet stretch of the Thames near Goring, Oxfordshire.  The artist visited the area in the early 1870s staying and painting with a fellow landscape artist, Samuel Phillips Jackson (1830-1904). 

     

    Born as Benjamin Williams, he added the surname Leader, his father's middle name, to distinguish himself from the Williams family.  Upon abandoning a profession in engineering for art, he became a pupil at the Royal Academy in 1853.  The following year he showed his first picture there, and continued to exhibit prolifically up until his death in 1923.

     

    He achieved notable success with his painting, February Fill Dyke exhibited in 1881.  It

    remains one of the most famous Victorian paintings, and is a tribute to Leader's artistic talents.  The Royal Academy elected him an associate in 1883, and academician in 1898.  He also exhibited abroad, winning the gold medal and the legion of honour in Paris in 1889.

     

    Leader was extremely popular in Victorian times and his work sold for high prices.  Today he is recognized as one of the most accomplished Victorian landscape artists of his day.  He usually chose scenes from the Midlands and the Thames valley, although he was also partial to Welsh landscapes, especially around Bettws-y-Coed.

     

    His earlier work reflects his admiration of the Pre-Raphaelites, however, he later developed a broader, more naturalistic style.  A realistic feeling of space and a lightness of atmosphere are characteristic of his work.  James Dafforne, the contemporary art critic of the Art Journal, praised his work in glowing terms in 1871: ‘his style is a happy medium between excess of detail and over elaboration on the one hand, and a dash of execution on the other...we regard Mr. Leader as one of our best landscape painters.’

     

    The work of Benjamin Williams Leader is represented in the Aberdeen Art Gallery and Museum, the Birmingham City Art Gallery, the Blackburn Museum and Art Gallery, the Towneley Hall Art Gallery, Burnley, the Bristol City Art Gallery, the Ferens Art Gallery, Kingston-upon-Hull, the Guildhall Art Gallery, the Royal Academy of Arts, Tate Britain and the Victoria and Albert Museum, London, the Manchester City Art Gallery, the Mappin Art Gallery, Sheffield, the Atkinson Art Gallery, Southport, the Royal Holloway and Bedford New College collection, Surrey and the Worcester City Art Gallery.

     

     

     

Born as Benjamin Williams, he added the surname Leader, his father's middle name, to distinguish himself from the Williams family. Upon abandoning a profession in engineering for art, he became a pupil at the Royal Academy in 1853. The following year Leader showed his first picture there, and continued to exhibit prolifically up until his death in 1923.


Leader achieved notable success with his painting, February Fill Dyke exhibited in 1881. It remains one of the most famous Victorian paintings, and is a tribute to Leader's artistic talents. The Royal Academy elected him an associate in 1883, and academician in 1898. He also exhibited abroad, winning the gold medal and the legion of honour in Paris in 1889.


Leader was extremely popular in Victorian times and his work sold for high prices. Today he is recognized as one of the most accomplished Victorian landscape artists of his day. He usually chose scenes from the Midlands and the Thames valley, although he was also partial to Welsh landscapes, especially around Bettws-y-Coed.


Leader ’s earlier work reflects his admiration of the Pre-Raphaelites, however, he later developed a broader, more naturalistic style. A realistic feeling of space and a lightness of atmosphere are characteristic of his work. James Dafforne, the contemporary art critic of the Art Journal, praised his work in glowing terms in 1871: ‘his style is a happy medium between excess of detail and over elaboration on the one hand, and a dash of execution on the other...we regard Mr. Leader as one of our best landscape painters.’


The work of Benjamin Williams Leader is represented in the Aberdeen Art Gallery and Museum, the Birmingham City Art Gallery, the Blackburn Museum and Art Gallery, the Towneley Hall Art Gallery, Burnley, the Bristol City Art Gallery, the Ferens Art Gallery, Kingston-upon-Hull, the Guildhall Art Gallery, the Royal Academy of Arts, the Tate Gallery and the Victoria and Albert Museum, London, the Manchester City Art Gallery, the Mappin Art Gallery, Sheffield, the Atkinson Art Gallery, Southport, the Royal Holloway and Bedford New College collection, Surrey and the Worcester City Art Gallery.


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