Bridget Riley

Study for Royal Mail, 9.

Gouache: 12.5(h) x 12.5(w) in /

31.8(h) x 31.8(w) cm

Signed, dated and inscribed lower left and right: Study for Royal Mail. 9 Bridget Riley '98

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BP 32

 

BRIDGET RILEY

 Born London 1931

 

Study for Royal Mail, 9

 

Signed, dated and inscribed lower left and right:

Study for Royal Mail. 9 Bridget Riley ’98

Gouache: 12 ½ x 12 ½ in / 31.8 x 31.8 cm

Frame size: 18 ¾ x 18 ¼ in / 47.6 x 46.4 cm

 

Provenance:

Galerie Michael Sturm, Stuttgart

Private collection, acquired from the above in 1999

 

 

In December 1999 as part of the Millennium Series, Royal Mail produced a selection of four commemorative stamps entitled: The Artists’ Tale, which included designs by Allen Jones (The World of the Stage), Lisa Milroy (World of Literature), Sir Howard Hodgkin (New Worlds) and Bridget Riley (World of Music). The present work is a study for Riley’s contribution to the project.

 

The gouache maintains the palette and structure Riley developed following a trip to Egypt during the winter of 1979-80, the museum at Cairo and the ancient tombs at Luxor, which inspired an Egyptian palette of powerful colours including blue, turquoise, yellow and red, whose brilliance necessitated a return to a simplified formal arrangement; the neutral stripe. The uniform precision of Riley’s decisive design and immaculate finish enables the uninterrupted interaction of colours and the fleeting visual sensations they create. Like a passage of music, Riley carefully composes colour chords across the canvas, punctuated by accents of black to establish the rhythm and white to provide a pause.

 

Born in London in 1931, Bridget Riley spent most of her childhood in Cornwall near Padstow in a cottage with her mother, aunt and younger sister, her father being away in the armed forces during the War.  From 1946-48 she was educated at Cheltenham Ladies College, where she was introduced by her teacher Colin Hayes to the history of painting and encouraged to attend a local life class.  Riley went on to study at Goldsmith’s College of Art from 1949-52 under Sam Rabin and then at the RCA from 1952-5 at the same time as Frank Auerbach, Peter Blake, Joe Tilson and John Bratby. A long period of unhappiness followed her graduation from the RCA as Riley nursed her father after a serious car accident and subsequently suffered a nervous breakdown.  After a number of jobs she joined the J Walter Thompson advertising agency. 

 

In 1959 Riley took part in a summer school in Suffolk organised by Harry Thubron, and met Maurice de Sausmarez, who became her friend and mentor, going on to write the first monograph of her work.  On tour in Italy in the summer of 1960, Riley painted Pink Landscape, 1960, a key piece in her early development.  Having broken with Sausmarez and suffered an artistic crisis, her attempts to create an entirely black painting produced her first black-and-white

 

works. She held her first solo show 1962 at Gallery One, London and won the International Prize for painting at the 34th Venice Biennale in 1968, the first British contemporary painter and first woman ever to win. 

 

The work of Bridget Riley is represented in the Stedelijk Museum, Amsterdam; the Museum of Fine Arts, Boston; The British Council; the National Gallery of Australia, Canberra; the Nelson-Atkins Museum of Art, Kansas City; the Berardo Collection; Sintra Museum of Modern Art, Lisbon; the Arts Council Collection Hayward Gallery, London; the Tate, London; The Museum of Modern Art, New York; the Neues Museum, Nurnberg; the Museum Boijmans Van Beuningen, Rotterdam; the Sheffield Galleries and Museums Trust; The National Museum of Modern Art, Tokyo and the Sezon Museum of Modern Art, Kitasaku. 

 

 

Bridget Riley, Rose Return, 1985

Oil on linen: 163 x 143 cm

Maclaurin Art Gallery at Rozelle House

 

Post War BritishBridget Riley